Studio Blog | Stéphan Angoulvant
An archive of my student work at Art Center in Pasadena.
Archived
In the interest of making this archive more useful and better organized, here’s a quick reference to the foundation courses I took at Art Center. Here you will find links to the full term wrap-ups and each of the individual course summaries. Tags are also a smart way to navigate the site. You may, for instance, want to view all the posts related to Viscom or posts related to Product Design. You can find these tags at the bottom of each post.
Of course you can still view these posts as they have appeared in the past, by going through them in reverse chronological order.
Term 1 — Fall 2008
- Design Process 1: Form – Using shapes, lines and value graphics to describe intended qualities.
- Viscom 1 – Creating accurate and complex perspective line drawings from imagination.
- 3D Fundamentals 1 – Learning the tools and techniques needed for the creation of industrial products.
- Design Process 1: Space – Exploring the basics of environmental design.
- The Way Things Work – Learning to deconstruct and explain the functioning of objects around us.
- Study Models – Methods to create rapid 3-dimensional representations of a concept.
- Design Fundamentals 1 – Essential lessons in typography and color theory.
- The Way Things Look – A short history of 20th century design and why things look the way they do.
Term 2 — Spring 2009
- 3D Fundamentals 2: Part 1 – Further hands-on lessons in the techniques of industrial production.
- 3D Fundamentals 2: Part 2 – Learning to model industrial surfaces using automotive clay.
- Viscom 2: Part 1 & Part 2 – Using light and shadow to sculpt and define forms in perspective.
- Design Process 2 – Developing a product from research to final model using furniture as an example.
Term 3 — Summer 2009
- Product Design 1 – Developing a functional product based on user research.
- Viscom 3 – Rendering different materials using a wide variety of media and techniques.
- Development of Form – Understanding and drawing 3-dimensional form.
- Rapid Prototyping – Learning how to model parts in SolidWorks for rapid prototyping.
Term 4 — Fall 2009
- Product Design 2 – Bringing a product from conceptual development through branding.
- Viscom 4 – Rapid visualization of nature & man-made things. Taught by the legendary Norm Schureman.
- ID Graphics – Learning graphic design principles for product designers.
- Solid Modelling – Advanced techniques for creating complex objects and assemblies in SolidWorks.
The End
All good things come to an end. I will no longer be updating the Studio Blog. Keep an eye on angoulvant.net and my journal for the latest. I will keep this site up as long as I can, but will remain only a reference.
I couldn’t leave you without fun work from Art Center. First, a video demonstration of Dexter, and second a link to Brand New Classroom, where my graphic design project for the Langham Hotel was posted (and rather well received, if I can say so myself!)
The Langham Hotel at Brand New Classroom.
Portfolio Update
It’s been quiet, I know… Things are right on track and you’ll hear from me soon, I promise. In the meantime, I’ve updated my portfolio with beautiful photographs for you to enjoy. Let me know what you think!
Product Design 2
Product Design 2 was the logical continuation of Product Design 1, in which we designed barbecue grills. The theme we were given this time was “products on wheels”. This was obviously a very broad theme, which hints at the aim of the course: concept development. Our goal during this class was to design an innovative product that uses wheels.
I chose to redesign the creeper, or as I prefer to call it, work sled. This is the tool auto mechanics use to slide under cars and make repairs. The final result was designed to be comfortable, nimble and easy to use.
I decided to call my work sled Dexter (from dexterity) feeling it needed a strong personality and a name that communicated stability and precision in motion. The logo was developed in our course ID Graphics.
The first few weeks were dedicated to research. I found that most creeper users are home users because auto shops generally have car lifts.
I soon found out that most readily available creepers are very cheaply made, and often used just a few times before they are discarded.
I isolated three markets for creepers, from low to high end. My creeper was to situate itself at the medium-high end mark, aimed at car enthusiasts who are in need of a well-designed creeper and casual users who could be inspired by such a product to perform their own oil changes regularly.
The Dexter brand, developed around my work sled was to communicate several key attributes shown below.
The course encouraged us to explore many different ideas, here are some of the interesting ones I came up with, including a wearable creeper and a creeper with spherical wheels. Of course all these ideas were based on the research.
As the form was refined, I realized that my work sled started looking somewhat shark-like and tried to integrate this theme in my form development.
The final result was recreated using the CAD software Solidworks which we learned much about in our Solid Modelling course.
I decided to use plywood to create the basic shape of the creeper and explored many resource for fabrication.
Finally I created a mold using CNC-machined ribs. Thin sheets of plywood were then stacked, glued and vacuumed into shape. The final shape was then trimmed, sanded and veneered.
For the final version I created a metal frame that supported both the seat and the wheels, allowing all four to lock into place with one simple gesture. Lights were also integrated in order for users to see under their cars.
The leather pillow was stitched and printed using the Lumi Process, developed by myself and an Art Center classmate.
I embedded magnets under the veneer, giving these tool rests a very intuitive and almost magical functionality! The tools won’t fall off even when the creeper is placed vertically, but they are still easy to remove.
The frame was a complex piece of metal bending and certainly could be simplified in the future, using different materials. The aim was to communicate the new mechanics I had developed to make braking simple.
The following is the poster board that accompanied my final model. You can find a full-size PDF here.
ID Graphics
ID Graphics was a great course I took last semester dealing with graphic design, an all-important skill for product designers to communicate their work.
The course started with an exercise in designing our personal stationery including business cards, resume, envelopes and portfolio pages. I will be rolling out the results here and on my portfolio over the next few months!
Our second exercise was closely tied to our Product Design 2 course in which we created a fictional brand for our product. I chose the name Dexter as the brand of my auto mechanic’s creeper. My goal was to create a logo that communicated reliability and mobility.
I based my design on the beautiful typeface Klavika by Process Type. Over many iterations I came up with the following logo:
The final color schemed hinted at the traditional automotive primary blues and reds. In this case the palette is shifted a bit off kilter to give it a modern look.
Our final project was to create a piece of branding for our product. I chose to create a sticker used for retail.
